how much attention do we give a piece when we look at it? do we simply see three simple portraits or is there more behind this? radical interventions in the pictorial reality which seem very discreet and hardly noticeable are supposed to irritate the viewer only on closer scrutiny. the play of mimics is intensified, while time is deactivated as a factor. mathias hafner works as a freelance in the field of film/photography in berlin. http://mat.winterstrand.net