• 1/ la photographie de presse au sens traditionnel du terme

Special Solo Exhibition
He Yanguang, How Far Can A Photographer Go
Meng Zhaorui, Recordings Of New China
Niu Weiyu, Negative Film Of History
Tie Mao, Slide Film Of History
Yuan Yiping, Siqing
Liu Jun, PRC 60 Years Anniversary Military Parade
Tan Weishan, Violent City
Fu Yongjun, A Tree By The West Lake
Zhang Lijie, After Effects Of SARS
Ou Zhihang, That Moment
Ziv Koren The Israeli-Arab Conflict
Streaming Media And News
Southern Media Journalistic Photography Exhibition
Yangcheng Evening News Photography Joint Exhibition
Guangzhou Daily Photography Exhibition
New Express Daily Photography Exhibition

War and Its Aftermath :
Don McCullin Retrospective
Adriana Groisman Falkland Island
Annie Leibovitz Bosnian War
Gervasio Sanchez Sarajevo
Yun Suyeon American Veterans

Revolution :
David Burnett Iran 1979
Gilles Caron May 1968, Paris, France

Documenting the World :
Kristen Ashburn AIDS in Africa
Jane Evelyn Atwood Women in Prison
Juliana Beasley Far Rockaways
Stephen Dupont Drugs in Afghanistan


• 2/ Réflexion sur lʼimpact de la photographie de presse sur la société

True Reality Group Exhibition
Exhibition Organizer: Jérôme Sans & Guo Xiaoyan
Assistant Exhibition Organizer: Guo Xiaohui
Qiu Zhijie Photographic Theatre, Barkhor Street
Wang Youshen Cleaning Series, Installations
Wang Qingsong, The Forum
Xu Zhen International News
Jiang Zhi, The Biggest Nail Household
Sun Yuan, Peng Yu, Hongkong Guide, 2009
Gao Yan Leon -Beijing
Jiang Pengyi, Everything Back To Dust
Wang Ningde, Walking Towards A Darker Place
Yuan Shun, Moon Landing Plan
Han Lei, Han Lei : Fragmented Shadow Series

Special plan: Living in the News
Zineb Sedira, Ship Wreck: The Death of a Journey
Vik Muniz
Kolkoz Kolkoz Tower
Kader Attia
Thomas Demand
Olaf Breuning
Erwin Wurm Hamlet Series
Candice Breitz
Surasi Kusolwong Golden Ghost
Douglas Gordon Selfpotrait of you+me
Ryan Mcginley


• 3/ Une Photographie qui dévoile la société

Leo Rubinfien, Wounded Cities
Lu Guang, Focusing On Chinaʼs Pollution
Wang Jiuliang, Rubbish
An Guangxi, The Traumatized
Wang Xinke, Road Entrance
Wei Lai, Paradise On Earth
Yan Zhang, A Place Where Peach Flowers Blossom (an imagined community where everything is
wonderful and harmonious described in Tao Yuanmingʼs prose)
Feng Li, Separation
Lu Heng, Embarking On A Voyage
Liu Ke, Flat Lake
Zhang Xiangou, Quietness
Wang Jianxin, Mutuality
Pan Wei, Creative Artifacts, The Past And The Present
Yang Chengde, Legends
Pok Chi Lau Cubaʼs Disappearing Barrio Chino
Evgeny Yufit Necrorealism
Wei Shenlin, Left Or Right
Li Wei, Hometown
Yang Heping, The Othe r Face Of Paris
Johan Nieuwenhuize Made in China
Zhu Xianmin, Hustle And Bustle
Zhao Qing, The Great Wall, Not A Wall
Wang Yishu, The Journey Home
Cohn Choy Lower Ngau Tau Kok Estate
Afred Ko, Nocturne
Chun Wai, Under the Heaven
Antonin Kennel & Vincent Assante Di Cupillo Dialogue
Boris Svartzman China Change
Yan Ming, My Yard
Zhang Xiao, Them, Envelope
Zhang Cuncheng, Yawning
Gao Xiao, Dolphin On The Cloud
Ou Yang, Chinatown


• 4/ Non-Definition

South Korean photographers: Views From Korea
Ahn Sung Seok
Lee Kyung Hee
Kim Hong Hee
Bang Dong hwan
Park Hyung Geun
Bang Byung Sang
Kang Jea Uk
Lee Sun Min
Han Sung pil
Byun Soon Choel

Guangzhou, This Moment, Group Exhibition Of Southern Photography Saloon
Shi Zhiying, The Sea, Starting From A Picture
Cai Qiwen, Overwelming Changes
Yan Changjiang, The Best Of Sceneries
Wang Yaming, A Dancer Like That
Liu Jin, The Incident
Gao Yuan, Dream City And Phantom Shadows
Yi Deʼer, Sceneries And Drawings
Yang Yuanxing, Walking The Earth
Xiao Xuanan, Newspaper Reading Series
Shi Ming, Salt Worker
Chen Xianyao, Backstreets Of The Gambling Capital
Wang Zhaowen, History Of Oneself
Liu Yuan, Israel
Ouyang Xing Kai, The Watcher Of Xiangxi (Western Hunan Province)


• 5/ Expositions Quartiers libres

Exhibition Of Members Of The CPPCC (China Peopleʼs Political Consultative Conference)
Exhibition Of Childrenʼs Photography
Exhibition Of The Disabled
Exhibition Of Photographers From The Magazine of Photo China
Exhibition Of “New Lianzhou, New Vision”
Exhibition Of Guangdong Transportation Industry
Exhibition Of Guangdong Health System
Exhibition Of Photographers From Different Parts Of Guangdong
Exhibition Of Photographers From Liaoning
Exhibition Of Shenzhen EnterprisesʼPhotography Association
He Junjie, The Sky Has Eyes


Curatorial Team
Art Director Duan Yuting
Chief Curators Chen Weixing, Robert Pledge
Exhibition Consultants Li Xianting, Jérôme Sans
President of Academic Committee Bao Kun
Assistant Chief Curator Jiang Wei
Curators
Wang Wenlan, Wen Danqing, Guo Xiaoyan, Jin Yongquan, Chaos Y. Chen, Li Jiejun,
Chang He,Meng Tao,Qin Wengang, Liu Hong, Wu Liang, Oh Young Min,Du Jianfeng,Sylvia Ng, Emil
Fedida


Duan Yuting
Dedicated in curatorship, spreading and promotion of Chinaʼs contemporary photography and management of art projects and galleries June,1996 to April, 1998, hostess of the column of “Photographer Interview” and editor of theory edition of Peopleʼs Photography; April, 1998 to year 2005, photo editor and photo chief director for New Express under Yangcheng Evening News Group; August, 1998, planning and organizing South China Press Photo Advanced Seminar; 2000, compiling Chinese Story, a great realistic photographic book reflecting living status of all walks of life of China in the 20th centuryʼs; 2001 to 2003, taking a 3-year Chinese Master Course as a member chosen by World Press Photo; 2005, initiator and curator of Lianzhou International Photo Festival as project and art director; 2005 end, chosen as Top Ten Character of China Photography of the Year; January, 2006, curator for “Ever-Changing Fragrant River”--Qiu Liang Solo Exhibition, Guangdong Gallery; January, 2006, curator for “Chairman Mao in My Lens” -- Lv Houmin Solo Exhibition, Guangdong Gallery; February, 2006, curator for Moscow Photo Festival; March, 2006, attending Oracle (an international organization of museums of photography) Conference as representative for China Photo Festival invited by FotoFest; May, 2006, special curator for “China Photography 50 Years” - Large Retrospective Exhibition; November, 2006, invited judge for FOTOBILD, Berlin, Germany; January, 2007, invited curator for Chinese Work in Paris Photo Biennale; 2007, member of review panel for Rhubarb-Rhubarb, Birmingham, UK; 2007, member of review panel for FOTOBILD, Berlin, Germany.; April 2008, member of jury ot the 1st Thessaloniki PhotoBiennale 2008, Greece. May 2008, Reviewer for FOTOBILD Berlin. May, 2009, Reviewer for China Photography Awards; Sep.2009, Judger for Southern Porket Film Festival.

CHEN Weixing
Professor CHEN Weixing, Ph.D. supervisor, Director of the Center for International Communications Research, Communication University of China. In 1986 he entered the Photography Department of Beijing Film Academy as a postgraduate and then was sent by the State Education Commission in 1988 to the University Stendhal (GRENOBLE 3) in France where he got his doctor degree in Information and Communication Science and ever worked as the chief editor of Europe-China in Paris. In 1997, he returned to China to work in Jinan University in Guangdong Province and in 2005, he was honored as guest professor in UNESCO. He is also the guest professor for the CoMundus European Consortiumʼs Erasmus Mundus Programme 2009-2010. Research Area: Communication Theories, International Communications and Media Culture Studies. Academic Publications: Ideas of Communication [M] (Beijing: Peopleʼs Publishing House, 2004,2008), In the Name of Communication [M] (Beijing: Beijing Broadcasting Institute Press, 2004), etc. Translation: Armand Mattelartʼs La Communication-monde,(Beijing:Central Compilation & Translation Press,2001,2005)etc. Edited Books: International Relations and Global Communication (Beijing: Beijing Broadcasting Institute Press, 2003), Internet Communication and Social Development (Beijing: Beijing Broadcasting Institute Press, 2001), Radio & Television under Globalization (Beijing: Beijing Broadcasting Institute Press, 2001), etc. He also makes an investigation on the interactive relationship between communication studies and Chinese society, and pays close attention to the communication problematique in the visual cultural as well. He has published the articles “Urban Desires and Bottom Imagination”(2006), “The Real Ruga of Image Space”(2007) and “From Visual Politics to Visual Culture”(2008) respectively in THEORIA 2006, CHINA PHOTOGRAPHIC ANNUAL(2006-2007)and PHOTO CHINA. He was invited in December 2003 to the Photography Expo. “Humanism in China - A Contemporary record of Photography” where he delivered a paper “The Symbols and Postures in the Being Space”, in January 2005 to the first GUANGZHOU Photo Biennial with a paper “To Represent the City: Signification of Images and Spatial Attribute”, in December 2005 to the first LIANZHOU International Photo Festival with “The Denominating Representation ”, in December 2006 to the second LIANZHOU International Photo Festival with “The Power Mechanism of Images”, in January 2008 to the third SHENZHEN Art Museum Forum with “The Crisis of Art Criticism”, in April 2008 to South Koreaʼs SUNGKYUNKWAN University for the international conference of “Artistic Spectacles” with “The Social Spectacle of Chinaʼs Contemporary Photographical Representation”, in June 2008 to Vision Beijing 2008 Forum, in November 2008 to the first conference of Sha Feiʼs Photography Research Center in SHIJIAZHUANG with a paper “Historical View and Visual History”, in December 2008 to the “Spatial Reproduction, Social change and Visual Representation Forum” organized by the OCT-Contemporary Art Terminal of HE XIANGNING Art Museum in SHENZHEN and in May 2009 to the third GUANGZHOU International Photo Festival with “The Position of Representation”.

Robert Pledge
Robert Pledge was born in 1942 in London, UK, and moved to Paris, France at the age of ten. A student of West African languages and anthropology, he found his way into journalism as a specialist in African affairs. He later became an editor of the visual arts magazine Zoom, and in 1973 the director of the US office of the French picture agency Gamma. In 1976, he founded Contact Press Images with American photographer David Burnett in New York. He has since produced and edited over fifteen books and curated major photographic exhibitions throughout the world, including many in China since 1988. He is the recipient, with Li Zhensheng, of the 2003 Overseas Press Club of Americaʼs Olivier Rebbot Award for “Best Reporting from Abroad in Magazines and Books” for Red-Color News Soldier: A Chinese Photographerʼs Odyssey Through the Cultural Revolution (Phaidon 2003). He has sat on many prestigious international photography juries, among them the World Press Photo in Amsterdam, The Netherlands, and the W. Eugene Smith Grant in Humanistic Photography in the USA, both on three occasions. He commutes between Paris and New York, and frequently visits China.

Li Xianting
Born in Jilin Province, Li Xianting is a renowned art critic and sometimes referred to as the “Godfather of Chinese contemporary avant-garde art”. He graduated from Chinese Painting Department, Central Academy of Fine Art in 1978, and became the editor of Fine Art Magzine until 1983. From 1985 to 1989 he was the editor of the authoritative China Fine Art Newspaper, and was active as independent critic and curator based in Beijing henceforth.In the late seventies and eighties, Li Xianting was a major force in advocating and introducing the burgeoning avant-garde art in China, which just embarked on economic reformation. He organized the pivotal “Stars exhibition” in 1979, and coined the terms “Cynical Realism” and “Political Pop”, which later became the dominant schools of Chinese avant-garde art. Into the 90s, Li Xianting continued to organize major avant-garde art events both inside and outside of China, while settling in Song Zhuang, a small village near Beijing, which hence transformed into the largest artist “colony” in China. Many artists he discovered and promoted, such as Fang Lijun and Wang Guangyi, have received great international attention and become leading figures in Chinese avant-garde art movement.

Jérôme Sans
Jérôme Sans is one of worldʼs most respected and experienced curators. Currently Director of the Ullens Center for Contemporary Art in Beijing and global cultural curator for the Le Meridien hotel chain, part of the Starwood group. Together with Nicolas Bourriaud Jerome Sans co-founded the influential and vibrant contemporary art institution Palais de Tokyo in Paris, acting as co-director from 2002 to 2006. Between March 2006 and January 2008 Jerome Sans was Director of Programs at the Baltic Centre for Contemporary Art in Gateshead, UK, and from 1996 to 2003 adjunct curator at the Institute of Visual Arts, Milwaukee, Wisconsin, USA. In 1998/9 Jerome Sans acted as visiting professor at Central Saint Martinʼs College of Art and Design, London. Other exhibitions co-curated by Jerome Sans include the Taipei Biennale (2000), Lyon Biennale (2005) and Nuit Blanche, Paris (2006). Jerome Sans is author of numerous publications including Au sujet de...interview with Daniel Buren published by Flammarion (1998), the monograph Jonas Mekas, Just like a shadow published by Steidl verlag (2000) Pierre & Gilles published by Ed Jerome de Noirmont (2001), Araki by Araki published by Taschen Verlag (2001) Chen Zhen, Interview Presse du Réel (2003), A Dance with Fred Astair, Anecdotes from Jonas Mekas, Scali (2007), In the Arab World Now, Enrico Navara publishing (2008). Jerome is also founding member and artistic director of the disco rock band Liquid Architecture, whose first album Revolution is Over was released by Naïve records, March 2006.

Bao Kun
A curator and photography critic. Born in Beijing in 1953. Deputy director of theory committee of CPA; member of compilation committee of Year Book of China Photography; 1997, planner for CCTV large documentary Yellow River; 2002, board director of CPA; 2003, executive editor in chief for CCTV program Instant World; 2004, curator for Wuyi Mountain International Photography Week; 2005, curator for Guilin International Photo Festival; judge for the 11th China International Photography Exhibition; theory criticism first prize winner for article A Romantic Century by China Federation of Literary and Art Circles; 2006, curator for “Between Heaven and Earth - Realistic Memory” Photo Exhibition in Songzhuang Gallery; academic panel member of the Second Lianzhou International Photo Festival; March, 2007, chosen as the “Most Important Photography Character of the Year” by FOTOMEN; academic director of the Second Guangzhou International Photo Biennale; judge for the Seventh China Photography Gold Image Award; curator for the Seventh Pingyao International Photography Festival; Curator for Third Lianzhou International Photo Festival 2007; Been entrusted as the Art Director for the 1st Beijing Photography Season in 2008; Curator for the Eighth Pingyao International Photography Festival, the chief curator for Fourth Lianzhou International Photo Festival.

Jiang Wei
A curator, publishing planner and photography and culture critic He is the member of theory committee of China Photographer Association (CPA) and member of compilation committee of Year Book of China Photography; He is also a curator for many photo exhibitions in Shanghai Library, Shanghai Gallery, Yibo Gallery, EPSON Imaging Gallery, Endless International Gallery and Tomo Art Centre among others. From 2006 to 2007, he was chosen as the “Most Important Photography Character of the Year” by FOTOMEN; Academic panel member of the Second Guangzhou International Photo Biennale in May 2007; September, 2007, winner of theory review award of the Seventh China Photography Gold Image Award. Dec. 2007, curator of Third Lianzhou International Photo Festival, and was awarded “Curator of the Year”. From 2007, He works as a publishing planner for “Documentary on Papers” photography series and has already published more then ten varieties books. Dec. 2008, curator of Fourth Lianzhou International Photo Festival; Sep.2009, be a part in judging panel committee of the South Multi Short Film Festival; Oct.2009 be a part in the Recommending committee of the South Reading Grand Ceremony; Curator in Lishui International Photo Culture Festival in Nov.2009; Assistant chief curator of 5th Lianzhou International Photo Festival.

Wen Danqing
Having experienced Culture Revolution before graduating from primary school, Mr.Wen become a farmer in the country, transported coal in the street and a worker in the machine tool plant. Later he concentrated all his effort in photograph and attended the 3rd exhibition Since Society and Human by the April Photography Association. Then he was tutored by some kind and professional friends and recommended to be an editor. Having edited photos and articles for 20 years, Mr.Wen gradually grasped the method of photography with more knowledge and experience as well as self-knowledge. Now heʼs the chief editor of Chinese Photography.

Guo Xiaoyan
Guo Xiaoyan is a pioneer in the development of art institutions in China. From 2002-07, she held the position of Vice Director of the Guangzhou Triennial Office at the Guangdong Museum of Art. She is also one of the founders of Chinaʼs first non profit gallery in Chengdu, “Upriver”. In 2007, Guo Xiaoyan was selected as the Curator of the Ullens Center for Contemporary Art (UCCA), and from 2008, she has assumed the position as Chief Curator of UCCA. As a diverse and experienced curator, Guo Xiaoyan has been involved in the curation of many group and solo shows. From 2003-04, she was curator and organized a series art projects, panel discussions, and museum collections. These include “Pictures on the Earth - Photograph by Wim Wenders”, “Unfinished-Architectures by ISOZAKI Arata”, and hosted the seminar “Architectures in Post-Plan Time-Dialogue with ISOZAKI Arata”. In 2005, Guo Xiaoyan curated “Dijon-Shanghai- Guangzhou: Solo Exhibition of Yan Pei-Ming” and in the same year, she co-curated the 2nd Guangzhou triennial, and co-organized “D-Lab” from Guangdong Museum of Art. During 2006- 07, she was curator of “From Polar Region to Tie Xi Qu: Contemporary Art Exhibition in Northeast China”; “Liu Xiaodong: Painting from Life (Solo Exhibition of Liu Xiaodong)”; and “Asian City Network” (China) at Seoul Museum of Art, South Korea. In addition, she was co-curator of “Aftershock- Contemporary British Art 1990-2006” initiated by the Guangdong Museum of Art and in 2008, and “Wu Shanzhuan, but Still Red, Red Humor International” with Gao Shiming and Johnson CHANG Tsong-zung in 2008. She was also Research Curator for the 3rd Guangzhou Triennial, curating the “nowincoming” unit. Since her nomination as Chief Curator of UCCA in March 2008, Guo Xiaoyan has curated multiple exhibitions and projects of Chinese contemporary artists. In July 2008, together with Jerome Sans and Kate Fowle, she co-curated “Our Future: The Guy & Myriam Ullens Foundation Collection”. In 2009, she co-curated with Jerome Sans two major exhibitions “Qiu Zhijie: Breaking through the Ice” and “Yan Pei-Ming: Landscape of Childhood”.

Jin Yongquan
Now the director of Photography Department of China Youth Daily, Jin Yongquan graduated from Peopleʼs University of China and received Master of Law. Then he worked in the China Youth Daily from 1993 till now. His photography work “Nuo”(1995-2000) was collected by institutions like the Musées de France and Shanghai Art Museum. In 2004, he finished the photography work of “Migrants of Three Gorges” (2000-2004). His writings include The Last of the Han Ethnicity (Cowritten with others, published by Central Compilation and Translation Press), Out of the Three Gorges (Beijing Sanlian Bookstore), Red Flag Photo Studio (Gold Wall Press).

Chaos Y. Chen
Cofounder & Director, WiE Kultur, Berlin Chaos Y. Chen has cofounded the WiE Kultur in Berlin in the end of 2008. Prior to this, she was the Head of the Curatorial Department at the Millennium Art Museum (Beijing). She won Henry Luce Scholarship in 1998 and worked with The Asia Society (New York). Upon receiving RAVE Stipendium in 2001 (Germany), she worked with Kunst Werke Berlin and later the Haus der Kulturen der Welt (Berlin). She was the representative in China for the Aperture Foundation for Photography ,and the main organizer for the symposium of the First Guangzhou Triennial (Guangzhou, 2002). Her latest curatorial practices include Driving the Skyline (Frank O. Gehry, 2004), body temperature (2005), BeijingCase (China & Germany, 2005), Mexican Modern (Beijing, 2006). She is a contributor to the publications, i.e. Reading, World of Art, Economic Oberserver, BluePrint (London) etc. She served as jury member for CENTRAL Contemporary Art Award (Köln, Germany, 2004) and REAL Photography Award (The Netherlands, 2007). She holds a Masterʼs degree in Art History and Theory from the Nanjing Academy of Art. 

Chang He
1995.9 - 1997.7 Shanxi University Chinese studies Bachelor degree of Journalism; 1997.4 Attended Colin Jakobson workshop held by Peopleʼs Photography and China Renmin University; 2008.1-12 MA in International Photojournalism at the University of Bolton (UK) Work Experience:2003.2 till now Shanghai Oriential Morning Post; 2002-2003 China Newsweek (magazine); 2000.10-2001.8 China Foto Press (photo agency);2000.6-2000.10 City Weekend (magazine) 1997.7-2000.6 Peopleʼs Photography Awards and Exhibitions: 2007.11- “Glass Boxes” displayed in Paris Photoquai; 2007.2 <Chinese

Oh Young Min
Independent curator. Overseas invited journalist in China for Monthly Photography (Korea) Lecturer in Central Academy of Fine Art (CAFA) in Beijing(China),Overseas invited journalist in China for Sajinyesul Photo Art (Korea). 2000 Editor of HanKyoReh News in Saint Louis Branch (U.S.);2004.09 Curator of Chinese and Korean ink painting art exchange exhibition (Taiwan); 2006.12 Curator of Han Jin Man(Korea)and Cui Xiao Dong(China)Landscape Painting exhibition (Beijing ,China); 2006.12 Curator of Eastern New Image : Central Academy of Fine Art (China) and Honk Ik University (Seoul,Korea) exchange exhibition (Beijing ,China); 2007.04 Curator and translator of Light of Academy 2007 : My Story International Exchange Exhibition in Central Academy of Fine Art (Beijing ,China) ; 2007.08 Assistant curator of Wonderland : Koreaʼs modern art exhibition in National Art Museum of China (NAMOC); 2008.10 Assistant curator and translator of Dae Gu Photo Biennale (Dae Gu , Korea); 2009.08 Curator of The 8th China Photographic art festival (Dali ,China) 2009.09 Curator of The Peach Blossom Spring of Illusion (Space DA,China); 2009.11 Curator of City in Floating (Space DA,China); 2009.11 Curator of Photographic art festival (Lishui ,China); 2009.12 Curator of Korean Modern History in the image (Seoul , Korea) 

Du Jianfeng
Exhibition organizer, freelance writer Born in Taiyuan,Shanxi Province in 1968, Du Jianfeng fell in love with photography during middle school years. In 1991, he gradated from the department of Journalistic Photography of Wuhan University. From 1991 to 1997, he was a journalist, photo editor, theory editor in Peopleʼs Photography. Since 2001, he became the chief assistant of Mr. Si Sushi (former chief editor of Peopleʼs Photography) and took part in the planning, founding and organizing of Pingyao International Festival. Since 2005, he became a freelance professional. In 2007, he became the chief executive editor and academic editor for Hong Kongʼs Photo World and Chinese Photography.

Meng Tao
Master degree of Photograph, Editor of Chinese Photography, Member of editing committee in the Year Book of China Photography, Freelancer for many magazines like Art World, Vision and so on. 2006,Curator of Lianzhou International Photo Festival, Expedition to Xika, Mingjng Sun; 2007 Itinerant exhibition of film, photograph, art installation, poet, publication by the master of film and photograph-- Abbas Kiarostami (Shenyang, Xian); Invited by Berlin Art Exhibition as a curator; 2009, Curator of the China Pictorialʼs surface exhibition for 60 years hold by GDMOA Photograph Biennial.

Qin Wengang
He majored in international journalism and graduated from Jinan University in 1998.In 1998, he joined Southern Daily as a journalist; in 1999, he entered the Photography Department to be a photo journalist; in 2003, he became a photo editor in the Photography Department; in 2005, he was promoted to be the vice-director of the Visual Journalism Center of Southern Daily; in 2008, he became the chief photo editor of Southern Daily. In 2001, he held a personal annual exhibition in the Teem Plaza of Guangzhou, featuring the shortage of medical care in Liannan Yao ethnicity area. In 2008, he joined and organized the joint exhibition of“Ten photographers in Southern China” during the the Lianzhou International Photography Festival. In 2009, he attended and organized the joint exhibition of Southern Daily titled “Journey and Face” during the Pingyao Photography Festival.

Liu Hong
Associate professor of Communication University of China, columnist. Media Background: columnist of Chinese book review monthly, China Health Human Resources and Moutai Magazine. Research Interests: Corporate Communication, City and Contemporary Art. Education: Doctor of Arts, Communication University of China; master of Arts, Ji Nan University; Bachelor of Medicine, Tong Ji Medical University.

Sylvia Ng
Graduated from the university in 1980, Sylvia Ng had been working for over one quarter of a century at the «Photo Pictorial» from Assistant Editor to Chief Editor. Most of her time has been devoted to the photographic career. She is now the executive committee member of the Society of Worldwide Ethnic Chinese Photographer, Pictorial Manager and Curator.

Wu Liang
Professor Wuliang,graduated from Renmin University of China with a degree of photojournalism in 1989, is the editor-in-chief, and the deputy editor of the Net department in two subsidiaries of China International Publishing Group(CIPG) which are Today China and Chinese Pictorial. Besides, Professor Wuliang, who was a member of China Photographers Association, is also the former deputy editor of Photo World and the former deputy director of Online Photo Editing Room of Photo Department in Xinhua News Agency. Professor Wu has written, compiled, and translated more than one hundred pieces of articles concerning photographic equipment, technology, and activities, and many of his works were selected into the album of photography. He ever interviewed and photographed in USA, Germany, Egypt, and other regions. At the same time, Professor Wu also planned and organized many nationally large-scale photography exhibitions and activities, including Asia Style—Chinese photography contest, Fuji Color Reversal Film National Competition, served as the curator of instantaneous World-a program of CCTV, gave photography courses to many institutions for several times, like Xinhua News Agency, newspaper offices, companies, and communities.

Emil Fedida
1949: Born in Casablanca, Morocco; 1989, Establishing the New Painting Art School today Oslo Photo Art School; 1989, Establishing the Art Teaching Method DNM1989; Numerous Exhibitions OPAS, Oslo Photo Art School & DNM, The New Painting Art School in Norway, China, USA, and Thailand since 199 

Approved by the Ministry of Culture of the Peopleʼs Republic of China

Official Sponsors
The Department of Culture of Guangdong Province
The Travel Bureau of Guangdong Province
Peopleʼs Government of Qingyuan Municipality
Peopleʼs Government of Lianzhou Municipality

Cultural Partners
News Documentary Committee of China Photographers Association
Guangdong Photographers Association
Institute of Arts of Academy of Arts of China
China Pictorial
Southern Daily
Southern Weekend
Southern Television
Guangzhou Daily
Yangcheng Evening News
New Express Daily
Guangdong Museum of Art
Chinese Photography Magazine
China Photo Press
Photographerʼs Companion Magazine
China Photographer Magazine
Peopleʼs Photography
Qingyuan Daily
Shenzhen Tourism Bureau
Artron.net
City Pictorial Magazine
Organizer Hanyu Media Ltd.
Web Portals Sina.com
Invited Web Support cul.sohu.com
Media Support
xitek.com
ionly.com.cn
Art Gallery Magazine
Contemporary Art Magazine
Art Time Magazine
Artintern
art.china.cn
cphoto.net
Technical Support Epson China

Academic Committee
Chairman
Bao Kun: Deputy Director, the theory Committee of China Photographers Association, Critic, Curator
Committee Members:
Jean-Luc Monterosso (France): Director of Maison européene de la photographie Agnès de Gouvion-Saint-Cyr (France): Director of Photography, Fonds national dʼart contemporain French Ministry of Culture and Communications Jean-Claude Moineau (France): Professor of Universite de Paris 8, member National Science Council François Hébel (France): Director, Les Rencontres dʼArles Oliva María Rubio (Spain): Director, PHotoEspaña Celina Lunsford (Germany): Director, Frankfurt International Photography Archives Beate Cegielska (Denmark): Curator, Imaging Arts Center Christian Caujolle (France): Curator, Counsellor Artistique VU agency Alison Nordstrom (USA): Director of George Eastman House Rochester Anne Hoy(USA): Former Director of International Photography Center; Art Historian; Writer Li Mei: Member of Theory Committee, China Photographers Association; Critic and Curator Li Shufeng: Director, Institute of Arts, Academy of Arts of China Sun Zhouxing: Dean of the School of Humanities, Tongji University Deng Qiyao: PhD, Deputy Dean of school of Communication and Design, Zhong Shan University Yang Xiaoyan: Associate Professor, Dean of Department of Communication, Zhongshan University,Critic Gao Shiming: Director of the Visual Cultural Research Center of China Art Academy, assistant professor. Feng Yuan: Deputy Chair, Art Design and Communication, Zhongshan University, Associate Professor Su Zhigang: Dean, Institute of Photographic, Beijing Film Academy Zhong Rongjian: Vice President, China Photojournalists Society Yu Wenguo: Vice President, China Photojournalists Society Liu Shuyong: Chair, Culture and Media Communication Department, Central University of Finance and economics Huang Wen: Senior Editor of News and Information Center, Xinhua News Agency; Chief Photographymarket Analyst; Jury of WPP Zang Ce: Member of Theory Committee, China Photographers Association; Critic Kuo Lihsin: Photography Critic; Associate Professor of Chengchi University, Taiwan Cai Huansong: Member of Theory Committee, China Photographers Association; Artist Director of “Chinese photographers” magazine Xiang Xi: Editor-in-chief, Southern Weekend Wang Jingchun: Photo Director of Southern Metropolis Daily He Longsheng: Visual Director, Deputy Editor of the Beijing News Wu Wenguang: Producer, Curator of Independent Video Howard French: Professor from Journalism School of Columbia University

Supporting Organizations
China Photographers Association; Guangdong Photographers Association; Hong Kong Photographers Union; Guangzhou Photographers Association; Guangdong Young Photographers Association; Zhongshan University School of Communication and Design; Zhongshan University Anthropology Department; Press Photo Office of the State Council; Li Xiantingʼs Film Fund;Shenzhen Professional Photographers Association; Mois de la photo (Paris); FotoFest (Houston); The Photographersʼ Gallery (London); Moscow Photobiennale; World Press Photography Foundation; German Photographers Association; La Maison européenne de la photographie; The Federation of Asian Photographic Art; Royal Photographic Society (UK); Drik Photo Agency; The University of Michigan; VU Agency; EVE Photographers; Robert Klein Gallery; Poc Project; Agence France-Presse; The University of Kansas; Otterbein College; The University of Massachusetts Lowell; OʼConnor Studio; FotoFreo; NB Pictures; John Stevenson Gallery; Photography Criticism CyberArchive; Photographie.com; Les Rencontres dʼArles; Photo Swap; Museum of Fine Arts; Houston; Chris Boot Ltd; ʻAperture Magazineʼ; PHotoEspaña; Rhubarb-Rhubarb; Seeing the Light; Grazia Neri Agency; École nationale supérieure des arts décoratifs (Ensad) France; Tendance Floue; Les Filles du Calvaire Gallery;Contact Press Images;WiE Kultur, Berlin.